I always love it when an author holds a torch for one of his or her characters. Case in point: Last night's "West Wing" was everything a "West Wing" should be - rapid fire dialogue requiring fast comprehension (but allowing for none), repetiative dialogue that becomes funny only because it's repeated, gratutious shots of Allison Janney's full stature (a good 5 inches taller than M. Sheen), and a heartwarming ending that makes you happy to be an American (because, dammit, there's
real people taking care of everything for us...people with
feelings). With that said, Aaron Sorkin decided to give the one huge line to an inconsequential character, Donna, who's a secretary in the White House Office. Poor Donna doesn't get invited to the big party downstairs, poor Donna finds out she's really a Canadian because of a border mix up, poor Donna is entirely too honest with the First Lady and thus, instead of insulting the First Lady and losing her job, changes the course of history, convincing the First Lady to give up her life's work to support the President.
I wouldn't care about this if Sorkin hadn't of given this very same actress the key lines in more than one "Sports Night" episode. Hmm, wonder if something's going on off-screen.
Either way, it reminded me how writers will have a character (or in this case, an actress) they absolutely love. Even if that character is a completely devoid of good traits, you can see the love. It spills out on the page - the beloved character can steal any scene.
Is this good or bad? I can't tell.